MERLINI, MATTIA
MERLINI, MATTIA
Dipartimento di Beni Culturali e Ambientali
Conosci l’AI-tro per conoscere te stesso: superare concezioni distorte della musica attraverso il confronto con l’IA
2025 M. Merlini
Reinterpret – Revive / Revamp – Resurrect! A Theoretical Model for Understanding Postmodern Prog
2024 M. Merlini
Brainwashing Soken: Symphonism and Otherness in the Music of Final Fantasy 16.
2024 M. Merlini
Per una tassonomia dei silenzi musicali
2024 M. Merlini
Spotify, Genres and the Illusion of Categorisation
2024 M. Merlini, M. Zanotti
Dal chip allo streaming, andata e ritorno: Pratiche prosumer di upgrade e downgrade ludomusicale
2024 M. Merlini
From AI to 4E: A Reflective Turn in Musicology to Overcome Dualist, Romantic and Cognitivist Prejudices
2024 M. Merlini
The Streaming Revolution (But Not the One You Think): The Fate of Polystylism in Recorded Video Game Music
2024 M. Merlini
Downplaying Eclecticism: Traumatic Transnational Adaptations in Japanese Video Game Music
2024 M. Merlini
A Second of Structured Chaos: Kosmos/Chaos Dialectic in Meshuggah’s Catch 33
2023 M. Merlini
A Digital Touch : The “Body Issue” in Computational Creativity
2023 M. Merlini, S. Maria Nicoletti
First Playable Research: Per una ludomusicologia italiana
2023 M. Merlini
More 1980s than the 1980s: Hauntological and Hyperreal Meanings of Synthwave Soundtracks
2023 M. Merlini
The Eclectic Case of Japanese Video Game Music
2023 M. Merlini
More 1980s than the 1980s: Functions and Connotations of Synthwave Soundtracks
2022 M. Merlini
A Mellotron-shaped grave : deconstructing the death of progressive rock = Une tombe en forme de Mellotron : déconstruire la mort du rock progressif
2022 M. Merlini
Specchi di carne e cesellatura musicale: Limiti della creatività computazionale tra corpo e coscienza
2022 M. Merlini, S. Maria Nicoletti
Le ceneri del prog : quel che resta di un genere della popular music
2021 M. Merlini
Eclectic Tennō: Japanese Video Game Soundtracks as Agents of Postmodernity
2021 M. Merlini
Is This Prog? Defining post-progressive as a creative attitude
2021 M. Merlini