This chapter analyses self-narration of migration and border crossing by present-day migrants in Italy. It examines how bordering is symbolically represented and re-made by people who, after having experienced border crossing, have found a listening context able to receive their stories and amplify them in ways that disrupt the dominant media narrative. Some examples from the author's experience as a scholar and activist interested in recording and facilitating the work being done in the field of migrant memories illustrate how migrants, together with the cultural workers who support them, actively produce counter-narratives of their border-crossing experiences. Two kinds of experimental participatory video projects, which transform migrants "from object to subject" of representation-set on the islands of Lampedusa and Sardinia-are examined.

Self-Narration, Participatory Video and Migrant Memories: A (Re)making of the Italian Borders / G. Gatta (PALGRAVE MACMILLAN MEMORY STUDIES). - In: The Politics of Public Memories of Forced Migration and Bordering in Europe / [a cura di] K. Horsti. - Basingstoke : Palgrave, 2019. - ISBN 978-3-030-30564-2. - pp. 101-120 [10.1007/978-3-030-30565-9_7]

Self-Narration, Participatory Video and Migrant Memories: A (Re)making of the Italian Borders

G. Gatta
Writing – Review & Editing
2019

Abstract

This chapter analyses self-narration of migration and border crossing by present-day migrants in Italy. It examines how bordering is symbolically represented and re-made by people who, after having experienced border crossing, have found a listening context able to receive their stories and amplify them in ways that disrupt the dominant media narrative. Some examples from the author's experience as a scholar and activist interested in recording and facilitating the work being done in the field of migrant memories illustrate how migrants, together with the cultural workers who support them, actively produce counter-narratives of their border-crossing experiences. Two kinds of experimental participatory video projects, which transform migrants "from object to subject" of representation-set on the islands of Lampedusa and Sardinia-are examined.
Lampedusa; migrant memories; participatory video; self-representation
Settore SPS/07 - Sociologia Generale
Settore SPS/08 - Sociologia dei Processi Culturali e Comunicativi
2019
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2434/960593
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