My contribution addresses the issue “hands” in Dino Formaggio on the background of legend of the genial artist without hands, as illustrated by Marcantonio Raimondi’s portrait of Raphael and exposed in Lessing’s "Emilia Galotti". Such myth is systematically deconstructed by art theorists like Nietzsche, Dessoir, Utitz and eventually Dino Formaggio himself, who rejected it both in his theoretical approach and in his artistic practice.
Dino Formaggio e la mano nell’arte / A. Pinotti. - In: MATERIALI DI ESTETICA. TERZA SERIE. - ISSN 2283-558X. - 7:3(2020), pp. 43-56.
Dino Formaggio e la mano nell’arte
A. Pinotti
2020
Abstract
My contribution addresses the issue “hands” in Dino Formaggio on the background of legend of the genial artist without hands, as illustrated by Marcantonio Raimondi’s portrait of Raphael and exposed in Lessing’s "Emilia Galotti". Such myth is systematically deconstructed by art theorists like Nietzsche, Dessoir, Utitz and eventually Dino Formaggio himself, who rejected it both in his theoretical approach and in his artistic practice.
File in questo prodotto:
| File | Dimensione | Formato | |
|---|---|---|---|
|
2020-PINOTTI-Formaggio e mano_MdE.pdf
accesso aperto
Tipologia:
Publisher's version/PDF
Dimensione
775.1 kB
Formato
Adobe PDF
|
775.1 kB | Adobe PDF | Visualizza/Apri |
Pubblicazioni consigliate
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
