In a world with a lack of stable horizons and certitudes, in a state of general disorientation amplified by the multiplication of visual technologies and the multiple perspectives they generate (Google Earth images, satellite views, drone videos) we must remember the artist and theorist Hito Steyerl and his essay In free fall: a thought experiment on vertical perspective (2011) which states that today linear perspective has become a “hostage” of the truth: “The vanishing point gives the observer a body and a position. […] While reinforcing the subject by placing him at the center of the vision, the linear perspective also undermines the individuality of the spectator by putting him under the seemingly objective rules of representation.”

Theatrical perspective part 2 / A.M. Monteverdi. - (2019 Aug 22).

Theatrical perspective part 2

A.M. Monteverdi
2019

Abstract

In a world with a lack of stable horizons and certitudes, in a state of general disorientation amplified by the multiplication of visual technologies and the multiple perspectives they generate (Google Earth images, satellite views, drone videos) we must remember the artist and theorist Hito Steyerl and his essay In free fall: a thought experiment on vertical perspective (2011) which states that today linear perspective has become a “hostage” of the truth: “The vanishing point gives the observer a body and a position. […] While reinforcing the subject by placing him at the center of the vision, the linear perspective also undermines the individuality of the spectator by putting him under the seemingly objective rules of representation.”
Hyto Steyerl; Massimo Vitali; photography
Settore L-ART/06 - Cinema, Fotografia e Televisione
22-ago-2019
https://www.massimovitali.com/theatrical-perspective-pt-2/
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2434/698598
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