The thesis represents a first methodic approach to the archival documentation concerning the music in the cathedral of S. Peter in Bologna. Covering a temporary range from 1417 to 1754, the thesis is organised in five chapters, a historical introduction, a catalogue of non preserved and preserved music sources, a chronology of musical attested performances, a chronology of stable musicians and a ordered transcription of all the known documents related to the music in the cathedral.
LA MUSICA NELLA CATTEDRALE DI S. PIETRO IN BOLOGNA (1417 - 1754) / L.m. Hvass Pujol ; tutor: D. Daolmi ; coordinatore del dottorato: P. Piacentini. Università degli Studi di Milano, 2019 Dec 19. 32. ciclo, Anno Accademico 2019. [10.13130/hvass-pujol-lars-magnus_phd2019-12-19].
LA MUSICA NELLA CATTEDRALE DI S. PIETRO IN BOLOGNA (1417 - 1754)
L.M. HVASS PUJOL
2019
Abstract
The thesis represents a first methodic approach to the archival documentation concerning the music in the cathedral of S. Peter in Bologna. Covering a temporary range from 1417 to 1754, the thesis is organised in five chapters, a historical introduction, a catalogue of non preserved and preserved music sources, a chronology of musical attested performances, a chronology of stable musicians and a ordered transcription of all the known documents related to the music in the cathedral.
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phd_unimi_R11705.pdf
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