The present paper intends to discuss the reasons for the long neglect and undervaluation of drama in the reign of Charles I (1625-1649), a period which saw eleven years of the king’s personal rule without a parliament, the Civil war and the closing of the theatres in 1642 for a period of eighteen years. I will examine and evaluate its reappraisal from the 1980s onwards, following the publication of Martin Butler’s seminal work, Theatre and Crisis (1984), whose global resonance led to a new wave of interest in Anglo-American scholarship. As a matter of fact the scholar demonstrated that drama in that period was politically meaningful and engaged in debating serious and pressing issues of the day. Finally, I will be concentrating on Richard Brome, one of the leading playwrights of the period, whose critical afterlife perfectly mirrors the parable of the reception of Caroline drama.
A 'Dark' Period in the Seventeenth Century: Drama in the Caroline Age / C. Paravano (STUDIES IN LITERATURE AND CULTURE). - In: Golden Epochs and Dark Ages : Perspectives on the Past / [a cura di] A. Antonowicz, T. Niedokos. - Prima edizione. - Lublin : KUL John Paul II Catholic University of Lublin, 2016. - ISBN 9788380613171. - pp. 153-164
A 'Dark' Period in the Seventeenth Century: Drama in the Caroline Age
C. ParavanoPrimo
2016
Abstract
The present paper intends to discuss the reasons for the long neglect and undervaluation of drama in the reign of Charles I (1625-1649), a period which saw eleven years of the king’s personal rule without a parliament, the Civil war and the closing of the theatres in 1642 for a period of eighteen years. I will examine and evaluate its reappraisal from the 1980s onwards, following the publication of Martin Butler’s seminal work, Theatre and Crisis (1984), whose global resonance led to a new wave of interest in Anglo-American scholarship. As a matter of fact the scholar demonstrated that drama in that period was politically meaningful and engaged in debating serious and pressing issues of the day. Finally, I will be concentrating on Richard Brome, one of the leading playwrights of the period, whose critical afterlife perfectly mirrors the parable of the reception of Caroline drama.File | Dimensione | Formato | |
---|---|---|---|
Paravano.pdf
accesso riservato
Tipologia:
Post-print, accepted manuscript ecc. (versione accettata dall'editore)
Dimensione
207.5 kB
Formato
Adobe PDF
|
207.5 kB | Adobe PDF | Visualizza/Apri Richiedi una copia |
Pubblicazioni consigliate
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.