The space of identity and the identity of space in the City Wit by Richard Brome

My paper examines The City Wit (1629-1632), a city comedy by Richard Brome revolving around the unscrupulous tra de world, where all the characters aim at social recognition, even trampling on feelings and moral values. My objective is to in vestigate the play as one of the earlier examples of strategic use of space in Brome’s dramatic production. Firstly, I will consider the function of space in relation to the identity of the single characters. Secondly, I will show how space can be manipulated for the re- fashioning of a new identity, as in the case of Jeremy, a male servant disguised as a widow, who builds up a ficti tious Cornish identity. Finally, I will analyze the geography of the play focusing in particular on the scene set in the Presence Cham ber of Whitehall.