Referring to Tadeusz Kantor’s "Dead class" and the renowned mannequins dragged along the stage by its age-old characters, this essay focuses on the material used to build them, namely wax, investigating its distinctive meaning for aesthetics as a theory of perception.
"Una trasgressione delittuosa" : Manichini di cera e teoria della percezione / P.J.A. Conte. - In: ITINERA. - ISSN 2039-9251. - 5:(2013), pp. 173-189. [10.13130/2039-9251/2929]
"Una trasgressione delittuosa" : Manichini di cera e teoria della percezione
P.J.A. Conte
2013
Abstract
Referring to Tadeusz Kantor’s "Dead class" and the renowned mannequins dragged along the stage by its age-old characters, this essay focuses on the material used to build them, namely wax, investigating its distinctive meaning for aesthetics as a theory of perception.File in questo prodotto:
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