Referring to Tadeusz Kantor’s "Dead class" and the renowned mannequins dragged along the stage by its age-old characters, this essay focuses on the material used to build them, namely wax, investigating its distinctive meaning for aesthetics as a theory of perception.

"Una trasgressione delittuosa" : Manichini di cera e teoria della percezione / P.J.A. Conte. - In: ITINERA. - ISSN 2039-9251. - 5:(2013), pp. 173-189. [10.13130/2039-9251/2929]

"Una trasgressione delittuosa" : Manichini di cera e teoria della percezione

P.J.A. Conte
2013

Abstract

Referring to Tadeusz Kantor’s "Dead class" and the renowned mannequins dragged along the stage by its age-old characters, this essay focuses on the material used to build them, namely wax, investigating its distinctive meaning for aesthetics as a theory of perception.
Kantor; cera; wax; mannequin; phenomenology; theatre
Settore M-FIL/04 - Estetica
2013
http://riviste.unimi.it/index.php/itinera/article/view/2929/3131
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2434/219837
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