This essay explores how the work of the Ernesto de Martino Institute (IEdM), founded in Milan in 1966, anticipated key practices of oral and public history in Italy, well before these approaches were formally established in academia. Originally conceived as a sound ar- chive, the IEdM was part of a broader cultural project that also included a publishing house (Edizioni Del Gallo) and a record label (Dischi del Sole). Its mission was to create an archive for an “immediate history” by documenting social and political conflict, such as factory occupations, demonstrations, and antifascist and anticolonial movements. Through its methods of collecting and publishing audio recordings, the Institute effectively functioned as an early laboratory for oral and public history. This analysis focuses on two key projects: the Archivi Sonori series by Dischi del Sole, which disseminated field research in audio form, and a study conducted between 1972 and 1974 in towns along the Adda River.
Questo saggio analizza come l’attività dell’Istituto Ernesto de Martino (IEdM), fondato a Milano nel 1966, abbia anticipato pra- tiche centrali della storia orale e della storia pubblica in Italia, ben pri- ma che tali approcci trovassero un riconoscimento formale in ambito accademico. Nato originariamente come archivio sonoro, l’IEdM si inseriva in un più ampio progetto culturale che comprendeva anche una casa editrice (Edizioni del Gallo) e un’etichetta discografica (Di- schi del Sole). La sua missione era quella di creare un archivio per una «storia immediata», documentando conflitti sociali e politici come le occupazioni di fabbrica, le manifestazioni, i movimenti antifascisti e anticoloniali. Attraverso le modalità di raccolta e di pubblicazione delle registrazioni sonore, l’Istituto si configura di fatto come un laboratorio precoce di storia orale e di storia pubblica. L’analisi si concentra su due progetti significativi: la collana Archivi Sonori di Dischi del Sole, che diffondeva in forma audio ricerche sul campo, e un’indagine condotta tra il 1972 e il 1974 nei comuni lungo il fiume Adda.
Storia orale e storia pubblica nell’azione dell’Istituto Ernesto de Martino negli anni ’60 e ’70 = Oral History and Public History in the Activities of the Ernesto de Martino Institute during the 1960s and 1970s = História Oral e História Pública nas ações do Instituto Ernesto de Martino nas décadas de 1960 e 1970 / C. Paris. - In: VARIA HISTÓRIA. - ISSN 0104-8775. - 41:(2025 Jan), pp. e25084.1-e25084.34.
Storia orale e storia pubblica nell’azione dell’Istituto Ernesto de Martino negli anni ’60 e ’70 = Oral History and Public History in the Activities of the Ernesto de Martino Institute during the 1960s and 1970s = História Oral e História Pública nas ações do Instituto Ernesto de Martino nas décadas de 1960 e 1970
C. Paris
2025
Abstract
This essay explores how the work of the Ernesto de Martino Institute (IEdM), founded in Milan in 1966, anticipated key practices of oral and public history in Italy, well before these approaches were formally established in academia. Originally conceived as a sound ar- chive, the IEdM was part of a broader cultural project that also included a publishing house (Edizioni Del Gallo) and a record label (Dischi del Sole). Its mission was to create an archive for an “immediate history” by documenting social and political conflict, such as factory occupations, demonstrations, and antifascist and anticolonial movements. Through its methods of collecting and publishing audio recordings, the Institute effectively functioned as an early laboratory for oral and public history. This analysis focuses on two key projects: the Archivi Sonori series by Dischi del Sole, which disseminated field research in audio form, and a study conducted between 1972 and 1974 in towns along the Adda River.| File | Dimensione | Formato | |
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