LONGONI, MARGHERITA
LONGONI, MARGHERITA
Dipartimento di Chimica
Chromogenic dyes in motion picture films at the turn of the 20th and 21st centuries: a multi-technique comparative study
2024 M. Longoni, S. Scipioni, A. Plutino, B. Sarti, A. Rizzi, S. Bruni
Organic residue analysis in archaeological pottery. Heating markers in non-cooking vessels from Etruscan Tarquinia (Italy): a sampling problem?
2024 M. Longoni, M. Lissana, L. Bottaro, M. Marzullo, D. Teseo, S. Bruni
Chemistry and colorimetry: preliminary investigation on chromogenic motion picture film
2023 B. Sarti, A. Plutino, M. Longoni, A. Rizzi, S. Bruni
External Reflection FTIR Spectroscopy Applied to Archaeological Pottery: A Non-Invasive Investigation about Provenance and Firing Temperature
2023 S. Bruni, M. Longoni, F. De Filippi, N. Calore, G. Bagnasco Gianni
Early synthetic textile dyes of the late 19th century from the “Primo Levi” Chemistry Museum (Rome): A multi-technique analytical investigation
2023 M. Longoni, M. Gavazzi, D. Monti, S. Bruni
Inside the Scriptorium: Non-Invasive In Situ Identification of Dyes in Illuminated Manuscripts by Microspectrofluorimetry and Multivariate Analysis: The Crescenzago Choir Books (End 15th Century) as a Case Study
2023 M. Longoni, N. Hopes, F. Rossi, M. Rita Tessera, M. Petoletti, S. Bruni
Towards the identification of original dyes in chromogenic films: the development of an approach based on chemical analyses
2023 M. Longoni, S. Scipioni, A. Plutino, B. Sarti2, A. Rizzi, S. Bruni
Bucchero Ware from the Etruscan Town of Tarquinia (Italy): A Study of the Production Site and Technology through Spectroscopic Techniques and Multivariate Data Analysis
2023 M. Longoni, N. Calore, M. Marzullo, D. Teseo, V. Duranti, G. Bagnasco, S. Bruni
Resonance Raman and Visible Micro-Spectroscopy for the In-Vivo and In-Vitro Characterization of Anthocyanin-Based Pigments in Blue and Violet Flowers: A Comparison with HPLC-ESI- MS Analysis of the Extracts
2023 S. Bruni, M. Longoni, C. Minzoni, M. Basili, I. Zocca, S. Pieraccini, M. Sironi
THE NON-INVASIVE ANALYSIS OF ORGANIC MATERIALS IN CULTURAL HERITAGE: DEVELOPMENT OF STRATEGIES BASED ON MOLECULAR SPECTROSCOPIES
2022 M. Longoni
A Silver Monochrome “Concetto spaziale” by Lucio Fontana: A Spectroscopic Non- and Micro-Invasive Investigation of Materials
2022 M. Longoni, C. Beccaria, L.M.A. Bonizzoni, S. Bruni
Special-Effect and Conventional Pigments in Black Light Art: A Multi-Technique Approach to an In-Situ Investigation
2022 M. Longoni, S. Francone, M. Boscacci, D. Sali, I. Cavaliere, V. Guglielmi, S. Bruni
From Materials to Technique: A Complete Non-Invasive Investigation of a Group of Six Ukiyo-E Japanese Woodblock Prints of the Oriental Art Museum E. Chiossone (Genoa, Italy)
2022 M. Gargano, M. Longoni, V. Pesce, M. Chiara Palandri, A. Canepari, N.G. Ludwig, S. Bruni
UV-Excited Fluorescence as a Basis for the In-Situ Identification of Natural Binders in Historical Painting: A Critical Study on Model Samples
2022 M. Longoni, E. Cacciola, S. Bruni
Surface-Enhanced Raman Spectroscopy for the Investigation of Chromogenic Motion Picture Films: A Preliminary Study
2022 M. Longoni, F.M. Ferretti, S. Zucca, L. Caielli, S. Bruni
FT-NIR spectroscopy for the non-invasive study of binders and multi-layered structures in ancient paintings : artworks of the Lombard Renaissance as case studies
2022 M. Longoni, B. Genova, A. Marzanni, D. Melfi, C. Beccaria, S. Bruni
The art of everyday objects: A non-invasive in situ investigation of materials and techniques of italian pop art paintings on aluminium
2022 M. Longoni, N. Cicala, V. Guglielmi, G. Poldi, S. Bruni
The green patina and chromatic alterations on surfaces of gypsum plaster casts by Lucio Fontana : multidisciplinary investigations in a case study of contemporary art
2022 S. Bruni, F. Troiano, V. Guglielmi, M. Longoni, F. Cappitelli, N.G. Ludwig
Surface enhanced raman spectroscopy with electrodeposited copper ultramicro-wires with/without silver nanostars decoration
2021 M. Longoni, M.S. Zalaffi, L. de Ferri, A.M. Stortini, G. Pojana, P. Ugo
Imaging and spectroscopic data combined to disclose the painting techniques and materials in the fifteenth century Leonardo atelier in Milan
2021 A. Galli, M. Gargano, L. Bonizzoni, S. Bruni, M. Interlenghi, M. Longoni, A. Passaretti, M. Caccia, C. Salvatore, I. Castiglioni, M. Martini