This paper studies how the chivalric poetic reference permeates in the 1615 Don Quixote. I begin highlighting the presence of theater in the Second part of Cervantes’ novel, in order to study how, precisely, in this level of fiction within fiction (theater inside a novel), the chivalric reference is decontextualized and re-signified. I conclude proving how the chivalric reference is constantly transiting between ontological planes, and accommodates itself to the realities of Cervantes’ characters, actualizing itself and changing its meaning continuously.
Referentes poéticos cabellerescos en el Quijote de 1615: Gaiferos y Altisidora / S.I. SANTA AGUILAR. - In: LINGÜÍSTICA Y LITERATURA. - ISSN 0120-5587. - 67:(2015), pp. 105-121. [10.17533/udea.lyl.21836]
Referentes poéticos cabellerescos en el Quijote de 1615: Gaiferos y Altisidora
S.I. SANTA AGUILAR
2015
Abstract
This paper studies how the chivalric poetic reference permeates in the 1615 Don Quixote. I begin highlighting the presence of theater in the Second part of Cervantes’ novel, in order to study how, precisely, in this level of fiction within fiction (theater inside a novel), the chivalric reference is decontextualized and re-signified. I conclude proving how the chivalric reference is constantly transiting between ontological planes, and accommodates itself to the realities of Cervantes’ characters, actualizing itself and changing its meaning continuously.File | Dimensione | Formato | |
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