The essay wants to investigate the ways of representing silence in landscape photography through the work of three important authors of contemporary photography: Luigi Ghirri, Robert Adams and Ursula Schulz-Dornburg. First of all silence is intended as a category of seeing and not of hearing. Silence it is also invested by these three photographers of a fundamental ethical value in the construction of a memory of places that takes on the value in reaffirming our collective identity.
Una profondissima quiete. La fotografia di paesaggio e la rappresentazione del silenzio / A. Desole. - In: L'AVVENTURA. - ISSN 2421-6496. - 2018:2(2018), pp. 325-342. [10.17397/91655]
Una profondissima quiete. La fotografia di paesaggio e la rappresentazione del silenzio
A. Desole
2018
Abstract
The essay wants to investigate the ways of representing silence in landscape photography through the work of three important authors of contemporary photography: Luigi Ghirri, Robert Adams and Ursula Schulz-Dornburg. First of all silence is intended as a category of seeing and not of hearing. Silence it is also invested by these three photographers of a fundamental ethical value in the construction of a memory of places that takes on the value in reaffirming our collective identity.
| File | Dimensione | Formato | |
|---|---|---|---|
|
Una profondissima quiete_corretto.pdf
accesso riservato
Tipologia:
Pre-print (manoscritto inviato all'editore)
Dimensione
192.96 kB
Formato
Adobe PDF
|
192.96 kB | Adobe PDF | Visualizza/Apri Richiedi una copia |
|
2421-6496-27649-8.pdf
accesso riservato
Tipologia:
Publisher's version/PDF
Dimensione
1.39 MB
Formato
Adobe PDF
|
1.39 MB | Adobe PDF | Visualizza/Apri Richiedi una copia |
Pubblicazioni consigliate
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
