The question of the « disappearance » or the « death » of the author can be approached advantageously from the polarisations that seem to characterise artistic creation, in particular the pairs activity/passivity and individuality/universality. These tensions span the « history of creation », in which the question always arises of the participation of the author in relation to an external force which can, as it were, submerge and inspire him, but never leaves him in his empty autonomy. In this context the legacy and the challenge which the last century left us are precisely those of thinking the appearance of a paradoxical author, an « impersonal author », for whom the dynamic between these poles cannot be resolved by favouring one side at the expense of the other, but rather according to a new way which thinks below all dichotomous opposition. According to this approach the author does die, but in the most elevated sense, i.e. to give life to an impersonal style, an instance foreshadowing an intersubjective perspective.
Une disparition de l’auteur? La création impersonnelle / C. Rozzoni. - In: REVUE PHILOSOPHIQUE DE LOUVAIN. - ISSN 0035-3841. - 119:3(2022 Aug), pp. 415-434. [10.2143/RPL.119.3.3291101]
Une disparition de l’auteur? La création impersonnelle
C. Rozzoni
2022
Abstract
The question of the « disappearance » or the « death » of the author can be approached advantageously from the polarisations that seem to characterise artistic creation, in particular the pairs activity/passivity and individuality/universality. These tensions span the « history of creation », in which the question always arises of the participation of the author in relation to an external force which can, as it were, submerge and inspire him, but never leaves him in his empty autonomy. In this context the legacy and the challenge which the last century left us are precisely those of thinking the appearance of a paradoxical author, an « impersonal author », for whom the dynamic between these poles cannot be resolved by favouring one side at the expense of the other, but rather according to a new way which thinks below all dichotomous opposition. According to this approach the author does die, but in the most elevated sense, i.e. to give life to an impersonal style, an instance foreshadowing an intersubjective perspective.File | Dimensione | Formato | |
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