In recent decades, the introduction of new affordable noninvasive eye tracking technologies accelerated the development of new gaze interaction techniques. Some of these find an application in accessible human-computer interfaces operable by people with quadriplegic disabilities. Musical interfaces represent a possible benchmark for these techniques since they require high precision levels, speed, and minimal latency. Several software Accessible Digital Musical Instruments have been developed, experimenting with keys and visual cues suitable for this particular context. This paper proposes a review of different design techniques proposed in the literature for the design of gaze-based musical interfaces, as well as possible solutions for the Midas Touch Problem, a known issue in gaze-based interfaces. A summary of the physiology of the human ocular movement is also provided. The provided notions could inform the design of new gaze-based software musical instruments.
Design Concepts for Gaze-Based Digital Musical Instruments / N. Davanzo, F. Avanzini - In: Proceedings of the 19th Sound and Music Computing Conference / [a cura di] R. Michon, L. Pottier, Y. Orlarey. - [s.l] : SMC network, 2022. - ISBN 9782958412609. - pp. 472-478 (( Intervento presentato al 19. convegno Sound and Music Computing Conference tenutosi a Saint-Etienne nel 2022 [10.5281/zenodo.6573521].
Design Concepts for Gaze-Based Digital Musical Instruments
N. Davanzo;F. Avanzini
2022
Abstract
In recent decades, the introduction of new affordable noninvasive eye tracking technologies accelerated the development of new gaze interaction techniques. Some of these find an application in accessible human-computer interfaces operable by people with quadriplegic disabilities. Musical interfaces represent a possible benchmark for these techniques since they require high precision levels, speed, and minimal latency. Several software Accessible Digital Musical Instruments have been developed, experimenting with keys and visual cues suitable for this particular context. This paper proposes a review of different design techniques proposed in the literature for the design of gaze-based musical interfaces, as well as possible solutions for the Midas Touch Problem, a known issue in gaze-based interfaces. A summary of the physiology of the human ocular movement is also provided. The provided notions could inform the design of new gaze-based software musical instruments.File | Dimensione | Formato | |
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