How is Virtual Reality “narratopological”? How can VR impact the intersection between space construction and narrative strategies? These issues must be tackled by comparing VR to non-VR media such as video games and cinema. In the first section, we will reconstruct the debate between narratologists and ludologists, which gave birth to the Game Studies discipline. In the second, we will consider the transition from non-VR to VR video games, trying to define a narratopological specificity of the latter. Subsequently, we will examine the role of the user as a “situated” subject in relation both to space and to the story. We will address interactivity by considering the user’s agencies in VR environments according to different degrees of freedom. In the last section, a comparative analysis of point of view in cinema, video games and VR will clarify a narratopological specificity of VR itself in relation to the “situated” viewer’s gaze

Making Room for the Story: Storytelling and Interaction in Virtual Environments / E. Modena, A. Pinotti. - In: IMAGO. - ISSN 2038-5536. - 11:22(2021), pp. 195-214.

Making Room for the Story: Storytelling and Interaction in Virtual Environments

E. Modena;A. Pinotti
2021

Abstract

How is Virtual Reality “narratopological”? How can VR impact the intersection between space construction and narrative strategies? These issues must be tackled by comparing VR to non-VR media such as video games and cinema. In the first section, we will reconstruct the debate between narratologists and ludologists, which gave birth to the Game Studies discipline. In the second, we will consider the transition from non-VR to VR video games, trying to define a narratopological specificity of the latter. Subsequently, we will examine the role of the user as a “situated” subject in relation both to space and to the story. We will address interactivity by considering the user’s agencies in VR environments according to different degrees of freedom. In the last section, a comparative analysis of point of view in cinema, video games and VR will clarify a narratopological specificity of VR itself in relation to the “situated” viewer’s gaze
Storytelling; Interactivity; Virtual Reality; Degrees of Freedom; Point of View.
Settore M-FIL/04 - Estetica
Settore L-ART/06 - Cinema, Fotografia e Televisione
   An-Iconology: History, Theory, and Practices of Environmental Images (AN-ICON)
   AN-ICON
   EUROPEAN COMMISSION
   H2020
   834033
2021
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2434/912195
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