This essay focuses on the digital live performance of Alexander Eisenach’s Anthropos, Tyrann (Ödipus), a play which points out the responsibilities of Anthropos towards the environment, the Earth and its whole population, but also deals with the consequences of the Covid-19 pandemic. The live streaming of the première, which took place during the German lockdown in February 2021, and the use of a 360 camera allow an analysis of the dramatic limits as well as of the possibilities this technical solution offers.
Risorse e limiti del teatro digitale in "Anthropos, Tyrann (Ödipus)" di Alexander Eisenach / S. Apostolo. - In: VISIONI DEL TRAGICO. - ISSN 2724-2854. - 2021:2(2021 Dec), pp. 41-48. [10.14275/2724-2854/20211.apo]
Risorse e limiti del teatro digitale in "Anthropos, Tyrann (Ödipus)" di Alexander Eisenach
S. Apostolo
2021
Abstract
This essay focuses on the digital live performance of Alexander Eisenach’s Anthropos, Tyrann (Ödipus), a play which points out the responsibilities of Anthropos towards the environment, the Earth and its whole population, but also deals with the consequences of the Covid-19 pandemic. The live streaming of the première, which took place during the German lockdown in February 2021, and the use of a 360 camera allow an analysis of the dramatic limits as well as of the possibilities this technical solution offers.
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