This interview was conducted in Bologna in October 1988. The conversation unfolds along the three historical phases of Metz’s work – the semio-linguistic, the semio-psychoanalytic, and the text-pragmatical phase on filmic enunciation. Metz self-critically returns to his proposition of a Grand Syntagmatique of f ilm. In addition, he embeds his film-semiological approach in a meta-theoretical and meta-historical reflection, and talks about how much his thinking owes to André Bazin, Pier Paolo Pasolini, Jean Mitry, and many others.
The Semiology of Cinema? It Is Necessary to Continue : A conversation with Christian Metz / E. Dagrada, G. Pescatore (FILM THEORY IN MEDIA HISTORY). - In: Christian Metz and the Codes of Cinema : Film Semiology and Beyond / [a cura di] M. Tröhler; G. Kirsten. - Prima edizione. - [s.l] : Amsterdam University Press, 2018. - ISBN 9789089648921. - pp. 439-454
The Semiology of Cinema? It Is Necessary to Continue : A conversation with Christian Metz
E. Dagrada;
2018
Abstract
This interview was conducted in Bologna in October 1988. The conversation unfolds along the three historical phases of Metz’s work – the semio-linguistic, the semio-psychoanalytic, and the text-pragmatical phase on filmic enunciation. Metz self-critically returns to his proposition of a Grand Syntagmatique of f ilm. In addition, he embeds his film-semiological approach in a meta-theoretical and meta-historical reflection, and talks about how much his thinking owes to André Bazin, Pier Paolo Pasolini, Jean Mitry, and many others.
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