This article illustrates the first steps of a research project concerning the “Subjective Experience and Estimation of Moving-Image Time” (SEEM_IT). After introducing the theoretical background of the research, that links time perception to the embodied experience of movement, the article presents the main empirical results of an experiment aimed at assessing how spectators’ time perception is affected by the style of editing and the type of represented action in short video clips. Though the style of editing played a major role in influencing SEEM_IT, it also significantly interacted with the type of represented action. The article reassesses these findings by discussing them within the theoretical framework of the research.

It doesn’t seem_it, but it is : A neurofilmological approach to the subjective experience of moving-image time / R. Eugeni, S. Balzarotti, F. Cavaletti, A. D'Aloia (PERSPECTIVES IN PRAGMATICS, PHILOSOPHY & PSYCHOLOGY). - In: The Extended Theory of Cognitive Creativity : Interdisciplinary Approaches to Performativity / [a cura di] A. Pennisi, A. Falzone. - Cham : Springer International Publishing, 2020. - ISBN 9783030220891. - pp. 243-265 [10.1007/978-3-030-22090-7_16]

It doesn’t seem_it, but it is : A neurofilmological approach to the subjective experience of moving-image time

F. Cavaletti;
2020

Abstract

This article illustrates the first steps of a research project concerning the “Subjective Experience and Estimation of Moving-Image Time” (SEEM_IT). After introducing the theoretical background of the research, that links time perception to the embodied experience of movement, the article presents the main empirical results of an experiment aimed at assessing how spectators’ time perception is affected by the style of editing and the type of represented action in short video clips. Though the style of editing played a major role in influencing SEEM_IT, it also significantly interacted with the type of represented action. The article reassesses these findings by discussing them within the theoretical framework of the research.
No
English
Time perception; Film experience; Neurofilmology; Duration estimation; Time passage; Editing; Action
Settore L-ART/06 - Cinema, Fotografia e Televisione
Settore M-FIL/04 - Estetica
Settore M-FIL/05 - Filosofia e Teoria dei Linguaggi
Capitolo o Saggio
Comitato scientifico
Pubblicazione scientifica
   Dipartimenti di Eccellenza 2018-2022 - Dipartimento di FILOSOFIA
   MINISTERO DELL'ISTRUZIONE E DEL MERITO
The Extended Theory of Cognitive Creativity : Interdisciplinary Approaches to Performativity
A. Pennisi, A. Falzone
Cham
Springer International Publishing
2020
243
265
23
9783030220891
23
Volume a diffusione internazionale
scopus
Aderisco
R. Eugeni, S. Balzarotti, F. Cavaletti, A. D'Aloia
Book Part (author)
reserved
268
It doesn’t seem_it, but it is : A neurofilmological approach to the subjective experience of moving-image time / R. Eugeni, S. Balzarotti, F. Cavaletti, A. D'Aloia (PERSPECTIVES IN PRAGMATICS, PHILOSOPHY & PSYCHOLOGY). - In: The Extended Theory of Cognitive Creativity : Interdisciplinary Approaches to Performativity / [a cura di] A. Pennisi, A. Falzone. - Cham : Springer International Publishing, 2020. - ISBN 9783030220891. - pp. 243-265 [10.1007/978-3-030-22090-7_16]
info:eu-repo/semantics/bookPart
4
Prodotti della ricerca::03 - Contributo in volume
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2434/772708
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