Can we re-rethink the history of the cinema moving from gestures? The gesture connected with the act of filming, recording, breaking in fragments and recomposing them into a new unit. Does cinema have something in common with the act of shooting, with the motor tics, with the pleasure of repetition, with chiromancy?
Introduction: A History of Cinema as Gesture / B. Grespi - In: A History of Cinema Without Names/3 : New Research Paths and Methodological Glosses / [a cura di] D. Cavallotti, S. Dotto, L. Quaresima. - Prima edizione. - ITA : Mimesis, 2018. - ISBN 9788869771354. - pp. 81-88 (( Intervento presentato al 24. convegno XXIV Convegno Internazionale di Studi sul Cinema = XXIV International Film Studies Conference, Gorizia, 29-30 marzo 2017 tenutosi a Gorizia nel 2017.
Introduction: A History of Cinema as Gesture
B. Grespi
2018
Abstract
Can we re-rethink the history of the cinema moving from gestures? The gesture connected with the act of filming, recording, breaking in fragments and recomposing them into a new unit. Does cinema have something in common with the act of shooting, with the motor tics, with the pleasure of repetition, with chiromancy?
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