Aristotle is usually fond of pointing to other works of his, thus creating a rich network of cross-references that help situate a given work within his “encyclopedia.” Apart from the five references in the Rhetoric, Aristotle cites the Poetics only another time, in an important passage towards the end of the Politics. Style and thought pop up in reverse order a few lines later, which makes them a whole of sorts. To summarize: tragedy is the most important form of poetry, and muthos is the most important part of tragedy. The idea is further developed a few lines later: And so, the muthos is the first principle and, so to speak, the soul of tragedy, while characterization is the element of second importance. An analogous point holds for painting: a random distribution of the most attractive colours would never yield as much pleasure as a black-and-white sketch. The implication is that written works can be construed as dead images.

Poetry and biology : The anatomy of tragedy / A. Capra (ROUTLEDGE MONOGRAPHS IN CLASSICAL STUDIES). - In: The Poetics in Its Aristotelian Context / [a cura di] P. Destrée, M. Heath, D. Munteanu. - [s.l] : Routledge, 2020 Mar. - ISBN 9780367366117. - pp. 183-205

Poetry and biology : The anatomy of tragedy

A. Capra
2020

Abstract

Aristotle is usually fond of pointing to other works of his, thus creating a rich network of cross-references that help situate a given work within his “encyclopedia.” Apart from the five references in the Rhetoric, Aristotle cites the Poetics only another time, in an important passage towards the end of the Politics. Style and thought pop up in reverse order a few lines later, which makes them a whole of sorts. To summarize: tragedy is the most important form of poetry, and muthos is the most important part of tragedy. The idea is further developed a few lines later: And so, the muthos is the first principle and, so to speak, the soul of tragedy, while characterization is the element of second importance. An analogous point holds for painting: a random distribution of the most attractive colours would never yield as much pleasure as a black-and-white sketch. The implication is that written works can be construed as dead images.
Aristotle; Poetics; biology
Settore L-FIL-LET/02 - Lingua e Letteratura Greca
Settore M-FIL/07 - Storia della Filosofia Antica
mar-2020
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2434/726995
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