In the light of Beckett’s passion for and his competence in the field of the visual arts, the essay explores the Beckettian knot between visual and verbal with particular reference to the section of the Irish playwright’s imaginary ‘museum’ dedicated to chairs and other seating devices.
Samuel Beckett, visual artist / M. Cavecchi - In: The Tragic Comedy of Samuel Beckett. "Beckett in Rome", April 2008 / [a cura di] Daniela Guardamagna, Rossana M. Sebellin. - [s.l] : Laterza-, 2009. - ISBN 978-88-420-9070-0. - pp. 122-142
Samuel Beckett, visual artist
M. CavecchiPrimo
2009
Abstract
In the light of Beckett’s passion for and his competence in the field of the visual arts, the essay explores the Beckettian knot between visual and verbal with particular reference to the section of the Irish playwright’s imaginary ‘museum’ dedicated to chairs and other seating devices.
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