This dissertation explores the “dialogic” interactions between literature and literary theory in Boris Eikhenbaum’s novel Marshrut v bessmertie (1933). Through a narratological and stylistic analysis of Eikhenbaum’s text, featuring a complex structure of thematic and intonational layers, and the definition of its role within the Russian literary milieu of the late 1920s, this research aims at showing how the novel stages its author’s meditations about both the limits and the possibilities of the newly-born Formal method and, at the same time, his searching for a new, post-formalist self-definition.
B.M. Ejchenbaum fra teoria letteraria e scrittura artistica : il romanzo Maršrut v bessmertie (1933) / E. Fratto ; I. Verc, M. Di Salvo. DIPARTIMENTO DI STUDI LINGUISTICI, LETTERARI E FILOLOGICI (EUROPA CENTRO-SETT.E ORIENT), 2009 Feb. 21. ciclo, Anno Accademico 2007/2008.
B.M. Ejchenbaum fra teoria letteraria e scrittura artistica : il romanzo Maršrut v bessmertie (1933)
E. Fratto
2009
Abstract
This dissertation explores the “dialogic” interactions between literature and literary theory in Boris Eikhenbaum’s novel Marshrut v bessmertie (1933). Through a narratological and stylistic analysis of Eikhenbaum’s text, featuring a complex structure of thematic and intonational layers, and the definition of its role within the Russian literary milieu of the late 1920s, this research aims at showing how the novel stages its author’s meditations about both the limits and the possibilities of the newly-born Formal method and, at the same time, his searching for a new, post-formalist self-definition.Pubblicazioni consigliate
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