The paper analyzes Michel Tournier’s novel Vendredi ou les limbes du Pacifique and focuses on both its use of intertextual allusions and the linguistic and enunciative features of the two narrative voices. Conclusions argue that these two voices are nothing but two different masks of Tournier himself, absorbed in a dual gnoseological task: achieving self-knowledge through Robinson’s diary and also through third person narrative strategies.
Polipho(l)ie dans Vendredi ou les limbes du Pacifique / G.L. DI BERNARDINI - In: Subjectivité et folie / W. B. Ourari, K. B. Ouanès. - Tunis : Editions Sahar, 2007. - ISBN 978-9973-28-225-5. - pp. 185-194 (( convegno Subjectivite et folie tenutosi a Tunisi nel 2005.
Polipho(l)ie dans Vendredi ou les limbes du Pacifique
G.L. DI BERNARDINIPrimo
2007
Abstract
The paper analyzes Michel Tournier’s novel Vendredi ou les limbes du Pacifique and focuses on both its use of intertextual allusions and the linguistic and enunciative features of the two narrative voices. Conclusions argue that these two voices are nothing but two different masks of Tournier himself, absorbed in a dual gnoseological task: achieving self-knowledge through Robinson’s diary and also through third person narrative strategies.
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