André Gide’s Les Cahiers d’André Walter and Les Faux-monnayeurs exploit the biblical tale of Jacob in an interesting manner. A comparative analysis evidences a close relationship between the way the two novels use the same image: Jacob’s struggle with the angel parallels the writer’s fight with his own imagery during the creative process and also unveils Mallarmé’s persistence in Gide’s poetics.
Un Jacob immoraliste. Avatars du mythe dans l’oeuvre gidienne / G.L. Di Bernardini. ((Intervento presentato al convegno La figure de Jacob dans les lettres françaises tenutosi a Gargnano del Garda (Bs), Italia nel 2009.
Un Jacob immoraliste. Avatars du mythe dans l’oeuvre gidienne
G.L. Di BernardiniPrimo
2009
Abstract
André Gide’s Les Cahiers d’André Walter and Les Faux-monnayeurs exploit the biblical tale of Jacob in an interesting manner. A comparative analysis evidences a close relationship between the way the two novels use the same image: Jacob’s struggle with the angel parallels the writer’s fight with his own imagery during the creative process and also unveils Mallarmé’s persistence in Gide’s poetics.
File in questo prodotto:
Non ci sono file associati a questo prodotto.
Pubblicazioni consigliate
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
