This essay considers the editorial history of two books of poems, respectively "The Ledger" by Robert Kroetsch and "Steveston" by Daphne Marlatt, in the light of the importance given to the visual, pictorial and photographic elements as integral parts of the written text in Canadian poetry after the "concrete" period.
Old Texts, New Readings : "The Ledger", "Steveston" and Picture Poetics / S. Bertacco - In: Image Technologies in Canadian Literature: Narrative, Film, and Photography / [a cura di] C. Concilio, R.J. Lane. - Bruxelles : Peter Lang, 2009 Feb. - ISBN 978-90-5201-474-6. - pp. 119-136
Old Texts, New Readings : "The Ledger", "Steveston" and Picture Poetics
S. BertaccoPrimo
2009
Abstract
This essay considers the editorial history of two books of poems, respectively "The Ledger" by Robert Kroetsch and "Steveston" by Daphne Marlatt, in the light of the importance given to the visual, pictorial and photographic elements as integral parts of the written text in Canadian poetry after the "concrete" period.
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