This paper focuses on southern Ethiopia, along the outer rim of the Rift Valley and not far from the Kenyan border, in an area forming part of a larger region known as a cradle of humankind. However, it also hosts a diverse Holocene rock art heritage, which is still underestimated and underdocumented. Paintings and engravings are widespread in the region, both in rock shelters and open-air sites, often located in remote areas currently inhabited by communities belonging to different ethnic groups. The aim of this paper is to present the first results of a new project in the area around Yabelo, within the broader framework of rock art research in East Africa, integrating archaeological research, preservation and heritage management with a relevant involvement of local communities. The outstanding cultural importance of these contexts offers new prospects for both scholarly research and sustainable development. The recording and study of the artworks is underway, using digital technologies that guarantee a high standard of accuracy of the documentation and non-invasive recording methods. This provides important insights for reconstructing cultural dynamics in the area between the final Pleistocene and onset of the Holocene. Moreover, the focus on rock art makes it possible to enhance local knowledge, increasing the awareness of local communities, with a significant impact on the preservation of this fragile heritage and the development of local, sustainable tourism projects. Differently from other archaeological features, rock art can have a more immediate attractiveness for contemporary observers, in terms of the apparent immediacy of the images and their emotional impact, raising awareness of cultural heritage and fostering major involvement in its preservation

Rock art between preservation, research and sustainable development : A perspective from Southern Ethiopia / M. Gallinaro, A. Zerboni, T. Solomon, E.E. Spinapolice. - In: AFRICAN ARCHAEOLOGICAL REVIEW. - ISSN 0263-0338. - 35:2(2018 Jun 01), pp. 211-223. [10.1007/s10437-018-9289-z]

Rock art between preservation, research and sustainable development : A perspective from Southern Ethiopia

A. Zerboni
Secondo
Membro del Collaboration Group
;
2018

Abstract

This paper focuses on southern Ethiopia, along the outer rim of the Rift Valley and not far from the Kenyan border, in an area forming part of a larger region known as a cradle of humankind. However, it also hosts a diverse Holocene rock art heritage, which is still underestimated and underdocumented. Paintings and engravings are widespread in the region, both in rock shelters and open-air sites, often located in remote areas currently inhabited by communities belonging to different ethnic groups. The aim of this paper is to present the first results of a new project in the area around Yabelo, within the broader framework of rock art research in East Africa, integrating archaeological research, preservation and heritage management with a relevant involvement of local communities. The outstanding cultural importance of these contexts offers new prospects for both scholarly research and sustainable development. The recording and study of the artworks is underway, using digital technologies that guarantee a high standard of accuracy of the documentation and non-invasive recording methods. This provides important insights for reconstructing cultural dynamics in the area between the final Pleistocene and onset of the Holocene. Moreover, the focus on rock art makes it possible to enhance local knowledge, increasing the awareness of local communities, with a significant impact on the preservation of this fragile heritage and the development of local, sustainable tourism projects. Differently from other archaeological features, rock art can have a more immediate attractiveness for contemporary observers, in terms of the apparent immediacy of the images and their emotional impact, raising awareness of cultural heritage and fostering major involvement in its preservation
Cette contribution se concentre sur le sud de l’Éthiopie, le long de la vallée du Rift et non loin de la frontière kenyane. La région fait partie d’une région plus vaste connue comme l’un des berceaux de l’humanité. Cependant, il abrite également un patrimoine d’art rupestre holocène varié, encore sous-estimé. Les peintures et les gravures sont très répandues dans la région, aussi bien dans les abris rocheux que dans les sites en plein air, souvent situés dans des zones reculées, actuellement habitées par des communautés de différents groupes ethniques. L’objectif de ce document est. de présenter les premiers résultats d’un nouveau projet dans la région autour de Yabelo, en le plaçant dans le cadre plus large de la recherche de l’art rupestre en Afrique de l’Est, en intégrant la recherche archéologique, la préservation et la gestion du patrimoine, avec une participation active des communautés locales. La valeur culturelle exceptionnelle de ces contextes peut ouvrir un nouveau scénario, tant en termes de recherche scientifique que de développement durable. L’enregistrement et l’étude des œuvres d’art sont en cours grâce à l’utilisation de technologies numériques qui garantissent une précision de la documentation et des méthodes d’enregistrement non invasives. Ces données offrent un éclairage important pour reconstruire la dynamique culturelle qui s’est. produite dans la région entre le Pléistocène final et l’Holocène. De plus, l’accent mis sur l’art rupestre peut permettre de valoriser les savoirs locaux, en sensibilisant les communautés locales, avec des effets significatifs dans la préservation de ce patrimoine fragile et dans le développement de projets locaux de tourisme durable. Contrairement à d’autres contextes archéologiques, l’art rupestre peut avoir un attractivité plus immédiat sur les observateurs contemporains, en termes d’immédiateté apparente des images et d’impact émotionnel, ce qui aide à capter l’attention, à favoriser la prise de conscience du patrimoine culturel et à créer une implication majeure dans sa préservation.
East Africa; Southern Ethiopia; rock art; Holocene; 2D-3D recording; local engagement
Settore GEO/04 - Geografia Fisica e Geomorfologia
Settore L-ANT/01 - Preistoria e Protostoria
1-giu-2018
26-mar-2018
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2434/563327
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