This article argues that the work of the Romantic poet John Keats relies on a constant dialogue with literary tradition. By exploring Keats's poems as well as letters, it first suggests that Keats developed a fluid notion of classicism, which encompasses Ancient Greek and Renaissance literature. Subsequently, it argues that Keats's complex response to Greek culture and poetry - which is indeed part of the well-known Romantic 'Greekomania' - is functional to the development of his own poetic self, whereby he attempt to reconcile both (Neo)classical and Romantic elements.
"A most dizzy pain" : John Keats e la costruzione del poetic self romantico, tra classicità moderna ed ellenismo / M. Canani (COLLOQUIUM). - In: Il romantico nel Classicismo. Il classico nel Romanticismo / [a cura di] A. Costazza, M. Canani. - Prima edizione. - Milano : LED, 2017. - ISBN 9788879168151. - pp. 167-182 [10.7359/815-2017-cana]
"A most dizzy pain" : John Keats e la costruzione del poetic self romantico, tra classicità moderna ed ellenismo
M. Canani
Primo
2017
Abstract
This article argues that the work of the Romantic poet John Keats relies on a constant dialogue with literary tradition. By exploring Keats's poems as well as letters, it first suggests that Keats developed a fluid notion of classicism, which encompasses Ancient Greek and Renaissance literature. Subsequently, it argues that Keats's complex response to Greek culture and poetry - which is indeed part of the well-known Romantic 'Greekomania' - is functional to the development of his own poetic self, whereby he attempt to reconcile both (Neo)classical and Romantic elements.File | Dimensione | Formato | |
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