In her pastoral work “Faunus”, Sibylla Schwarz reproduces the male discourse exactly, but with a female voice, which is, therefore, different and new. The author knows how to stylize different kinds of texts and tailor them to different speech acts. In the search for self-assurance and the suitable literary style, she stages a difficult dialogue of perspectives and voices. This paper investigates the extent to which her own and another’s voice interpenetrate, and the way in which meaning positions of speaker, addressee, and of what is discussed are expressed.

Liebe als Prüfung und Prüfstein der Sprache : Dialog und Heteroglossie im Faunus von Sibylla Schwarz / P. Bozzi. - In: DAPHNIS. - ISSN 0300-693X. - 44:1-2(2016), pp. 26-43. (Intervento presentato al convegno Überschreibungen : Zum Werk von Sibylla Schwarz (1621-1638) tenutosi a Greifswald nel 2013) [10.1163/18796583-04401001].

Liebe als Prüfung und Prüfstein der Sprache : Dialog und Heteroglossie im Faunus von Sibylla Schwarz

P. Bozzi
Primo
2016

Abstract

In her pastoral work “Faunus”, Sibylla Schwarz reproduces the male discourse exactly, but with a female voice, which is, therefore, different and new. The author knows how to stylize different kinds of texts and tailor them to different speech acts. In the search for self-assurance and the suitable literary style, she stages a difficult dialogue of perspectives and voices. This paper investigates the extent to which her own and another’s voice interpenetrate, and the way in which meaning positions of speaker, addressee, and of what is discussed are expressed.
In ihrer Schäfererzählung Faunus wiederholt Sibylla Schwarz die männliche Rede identisch, jedoch in weiblicher Zunge und daher anders und neu. Die Autorin versteht es, verschiedene Textsorten zu stilisieren und auf verschiedene Sprechinstanzen zuzuschneiden. Auf der Suche nach Selbstvergewisserung und der passenden literarischen Manier inszeniert sie einen schwierigen Dialog von Perspektiven und Stimmen. Es soll gezeigt werden, inwiefern sich fremde und eigene Stimme durchdringen, wie sich damit die Bedeutungspositionen des Sprechenden, des Angesprochenen und des Besprochenen ausdrücken.
pastoral; petrarchism; Faunus; dialogue; heteroglossia
Settore L-LIN/13 - Letteratura Tedesca
2016
Ernst Moritz Arndt Universität Greifswald; Alfried Krupp Wissenschaftskolleg
Article (author)
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2434/444301
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