The special issue aims at analyzing uses and to understand the polarity homology/analogy across different conceptual fields in contemporary debates within philosophy, life sciences, and arts. The history of this conceptual pair shows the pervasive capacity to build relationships among different objects of knowledge and, much more interestingly, the possibility to achieve a conceptual synthesis of different methodological approaches. The concept of analogy establishes a relation of similarity among different features based on a functional consideration of the organisms, while the concept of homology sees the systemic identity of characters: it indicates the meaning (“Bedeutung” as Richard Owen says) of the shared character under any modification of form and function, thus allowing us to rethink the role of teleology and morphology in contemporary thought. Although widely employed, this categorial couple is far from being unanimously defined, offering a large provision of open questions. The distinction of different meanings of “function” and the renegotiation of the biological concepts of organism and biological act, focusing on a morphological account of modularity, encourages a conceptual synthesis among philosophy, arts, and life sciences.

Omologia e analogia : relazioni e sintesi concettuale fra filosofia, scienze della vita e arti : Introduzione / A. Pinotti, S. Tedesco. - In: RIVISTA DI ESTETICA. - ISSN 0035-6212. - 62:2(2016), pp. 3-4.

Omologia e analogia : relazioni e sintesi concettuale fra filosofia, scienze della vita e arti : Introduzione

A. Pinotti;
2016

Abstract

The special issue aims at analyzing uses and to understand the polarity homology/analogy across different conceptual fields in contemporary debates within philosophy, life sciences, and arts. The history of this conceptual pair shows the pervasive capacity to build relationships among different objects of knowledge and, much more interestingly, the possibility to achieve a conceptual synthesis of different methodological approaches. The concept of analogy establishes a relation of similarity among different features based on a functional consideration of the organisms, while the concept of homology sees the systemic identity of characters: it indicates the meaning (“Bedeutung” as Richard Owen says) of the shared character under any modification of form and function, thus allowing us to rethink the role of teleology and morphology in contemporary thought. Although widely employed, this categorial couple is far from being unanimously defined, offering a large provision of open questions. The distinction of different meanings of “function” and the renegotiation of the biological concepts of organism and biological act, focusing on a morphological account of modularity, encourages a conceptual synthesis among philosophy, arts, and life sciences.
homology; analogy; aesthetics; theoretica biology; evolutionary biology
Settore M-FIL/04 - Estetica
Settore M-FIL/01 - Filosofia Teoretica
Settore M-FIL/02 - Logica e Filosofia della Scienza
2016
http://www.rosenbergesellier.it/it/catalogo/riviste/rivista-di-estetica/omologia-e-analogia-9788878854789
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2434/439324
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