The contribution aims at reconstructing the drive to anonymity in the art and image theories of the late 19th-early 20th centuries, with a particular focus on the German-speaking "Kunstwissenschaft".
Why anonymizing the history of images? / A. Pinotti - In: A history of cinema without names. : a research project / [a cura di] D. Cavallotti, F. Giordano, L. Quaresima. - Prima edizione. - Milano : Mimesis, 2016. - ISBN 9788869770685. - pp. 31-39
Why anonymizing the history of images?
A. Pinotti
2016
Abstract
The contribution aims at reconstructing the drive to anonymity in the art and image theories of the late 19th-early 20th centuries, with a particular focus on the German-speaking "Kunstwissenschaft".
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2016-PINOTTI_Anonymizing Art History.pdf
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