George Tabori’s Transcultural Theatre: “The Cannibals” – “Die Kannibalen” – “I cannibali”. Starting from the transcultural foundation of George Tabori’s theatre aesthetics, the contribution aims at interpreting his “black mass” The Cannibals (1968/69) and some American, German and Italian stagings of the play as transcultural variations of Tabori’s key issue: remembering and representing the Holocaust through active memory work on the emotions of actors and audience.
Paese che vai, cannibali che trovi : sul teatro transculturale di George Tabori / M. Castellari. - In: STRATAGEMMI. - ISSN 2036-5233. - 31:(2015), pp. 57-82.
Paese che vai, cannibali che trovi : sul teatro transculturale di George Tabori
M. Castellari
2015
Abstract
George Tabori’s Transcultural Theatre: “The Cannibals” – “Die Kannibalen” – “I cannibali”. Starting from the transcultural foundation of George Tabori’s theatre aesthetics, the contribution aims at interpreting his “black mass” The Cannibals (1968/69) and some American, German and Italian stagings of the play as transcultural variations of Tabori’s key issue: remembering and representing the Holocaust through active memory work on the emotions of actors and audience.
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