This essay presents first results of an ongoing archival research on homosexuality and Italian cinema in the after war period. It analyses how film censorship dealt with the representation of homosexuality, first trying to interdict it and then, from the late 1950s, negotiating its depiction in more refined manners, eventually envisaging the possibility of withdrawing it from the list of forbidden topics since the early 1970s.
«La figura è equivoca. Però…». La censura cinematografica di fronte all’omosessualità / M. Giori. - In: ARABESCHI. - ISSN 2282-0876. - 2015:6(2015), pp. 54-63.
«La figura è equivoca. Però…». La censura cinematografica di fronte all’omosessualità
M. Giori
2015
Abstract
This essay presents first results of an ongoing archival research on homosexuality and Italian cinema in the after war period. It analyses how film censorship dealt with the representation of homosexuality, first trying to interdict it and then, from the late 1950s, negotiating its depiction in more refined manners, eventually envisaging the possibility of withdrawing it from the list of forbidden topics since the early 1970s.File in questo prodotto:
File | Dimensione | Formato | |
---|---|---|---|
Giori figura equivoca.pdf
accesso riservato
Tipologia:
Publisher's version/PDF
Dimensione
1 MB
Formato
Adobe PDF
|
1 MB | Adobe PDF | Visualizza/Apri Richiedi una copia |
Pubblicazioni consigliate
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.