This paper explores the morphological approach, founded in Goethe's naturalistic investigations, in the context of the epistemology of the history and theory of the image and of the visual arts, as practiced by authors like Aby Warburg, Alois Riegl, Heinrich Wölfflin, and more recently Georges Didi-Huberman.
Le regard pontife. L’histoire des images à l’épreuve de la morphologie / A. Pinotti - In: Penser l’image II. Anthropologies du visuel / [a cura di] E. Alloa. - Dijon : Les presses du réel, 2015. - ISBN 978-2-84066-557-1. - pp. 77-101
Le regard pontife. L’histoire des images à l’épreuve de la morphologie
A. PinottiPrimo
2015
Abstract
This paper explores the morphological approach, founded in Goethe's naturalistic investigations, in the context of the epistemology of the history and theory of the image and of the visual arts, as practiced by authors like Aby Warburg, Alois Riegl, Heinrich Wölfflin, and more recently Georges Didi-Huberman.
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