Unheimlich : dalle figure di cera alla Uncanny Valley

In his pioneering History of Portraiture in Wax, Julius von Schlosser traced back the age-old history of a material which at that time seemed to be already antiquated, if not obsolete. Wax sculptures were rejected and ousted from art history because of their excessive similarity and adherence to models. One hundred years later, however, hyperrealism got its revenge with Maurizio Cattelan’s celebrated hanging children. Moving from that controversial artwork and focusing on the heated polemics over it, my paper will address the question of the well-known Unheimlichkeit of wax figures, investigated by Ernst Jentsch and Sigmund Freud in the early Twentieth Century and nowadays becoming increasingly topical thanks to the recent debate about the existence and nature of the so called Uncanny Valley.