Representation, in its most rudimentary sense of ‘standing for’ something else, operates as a fundamental yet profoundly complex mediation within contemporary AI models. These systems do not simply process information but re-elaborate it through a sequence of transformations, producing what we call deep representations: encodings that are simultaneously layered, in- terconnected, and polysemic. Drawing on Stable Diffusion as our case study, this work traces the representational journey from world to model, exam- ining how each layer of mediation reshapes what ‘standing for’ means. We begin with the mediations that precede the model: data as capta rather than given, digital image as cultural object and computational substrate, dataset as epistemic border, and pre-processing as structural constraint. We then turn to transformations within the model itself: the training, loss functions, and material economies that shape learned representations, differing fun- damentally from standardized compression. We conclude by questioning whether the inherited vocabulary of representation remains adequate to describe what these systems actually do.

(Deep) Representation: a Layered and Interconnected Mediation / L. Aimo, L.S. - In: xCoAx 2026 / [a cura di] M. Verdicchio, L. Ribas, A. Rangel, M. Carvalhais. - [s.l] : i2ADS, 2026 Jul. - ISBN 978-989-9279-30-8. - pp. 232-243 (( 14. Conference on Computation, Communication, Aesthetics & X Torino 2026.

(Deep) Representation: a Layered and Interconnected Mediation

L. Aimo
Co-primo
;
2026

Abstract

Representation, in its most rudimentary sense of ‘standing for’ something else, operates as a fundamental yet profoundly complex mediation within contemporary AI models. These systems do not simply process information but re-elaborate it through a sequence of transformations, producing what we call deep representations: encodings that are simultaneously layered, in- terconnected, and polysemic. Drawing on Stable Diffusion as our case study, this work traces the representational journey from world to model, exam- ining how each layer of mediation reshapes what ‘standing for’ means. We begin with the mediations that precede the model: data as capta rather than given, digital image as cultural object and computational substrate, dataset as epistemic border, and pre-processing as structural constraint. We then turn to transformations within the model itself: the training, loss functions, and material economies that shape learned representations, differing fun- damentally from standardized compression. We conclude by questioning whether the inherited vocabulary of representation remains adequate to describe what these systems actually do.
Representation; Digital Image; Data; Latent Diffusion; Mediation
Settore PEMM-01/B - Cinema, fotografia, radio, televisione e media digitali
Settore PHIL-04/A - Estetica
Settore INFO-01/A - Informatica
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2434/1260896
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