Apse Theophany and the Mission of Evangelisation: The Case of San Giovanni in Cividino, Bergamo (11th century) San Giovanni in Cividino is a small church in the Bergamo area dating to the mid-eleventh century. The apse preserves painted fragments that are contemporary with the building itself – elements that have received little scholarly attention so far, yet are of notable quality and display a distinctive iconography. The paintings are located beneath the semi-dome, which now bears a sixteenth-century Maiestas Domini. Within an ornamental frame that recalls early medieval models, the remains of eleven standing figures are visible; that most likely represented the apostles engaged in the Mission following Christ's Resurrection. Between them, at the centre of the apse, two large glass amphorae flank a small plant. Might these vessels have contained the water used for the baptism of conversion? Finally, a zoomorphic velarium runs along the dado, depicting the struggle between Good and Evil, between order and disorder.

Teofania absidale e missione di evangelizzazione: il caso di San Giovanni a Cividino, Bergamo (XI secolo) / F. Scirea. - In: FENESTELLA. - ISSN 2784-8663. - 5:(2024), pp. 125-140. [10.54103/fenestella/30309]

Teofania absidale e missione di evangelizzazione: il caso di San Giovanni a Cividino, Bergamo (XI secolo)

F. Scirea
2024

Abstract

Apse Theophany and the Mission of Evangelisation: The Case of San Giovanni in Cividino, Bergamo (11th century) San Giovanni in Cividino is a small church in the Bergamo area dating to the mid-eleventh century. The apse preserves painted fragments that are contemporary with the building itself – elements that have received little scholarly attention so far, yet are of notable quality and display a distinctive iconography. The paintings are located beneath the semi-dome, which now bears a sixteenth-century Maiestas Domini. Within an ornamental frame that recalls early medieval models, the remains of eleven standing figures are visible; that most likely represented the apostles engaged in the Mission following Christ's Resurrection. Between them, at the centre of the apse, two large glass amphorae flank a small plant. Might these vessels have contained the water used for the baptism of conversion? Finally, a zoomorphic velarium runs along the dado, depicting the struggle between Good and Evil, between order and disorder.
Iconography; Maiestas Domini; Romanesque Wall Painting; Bergamo
Settore ARTE-01/A - Storia dell'arte medievale
2024
https://riviste.unimi.it/index.php/fenestella/article/view/30309
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2434/1207416
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