This research focuses on the practices in a bar, in the city of Macerata (Italy), where I worked as a barmaid. The Piranha is located on the ground floor of a building, whose inhabitants are also the usual customers of the café. Here, the public practices of the bar (conversations between customers and patrons, drinks, meetings, coffee breaks) and the private practices of the building (mail delivery, supervision of children, elders’ card games) merge, the café being at the center of the social life of the neighborhood. The objects (furniture, decor, photos) attest this multiplicity of activities and the shared use of space. To understand what happens in this café, in a situation of physical distance from the field, due in particular to the health crisis, this article shows the place that collages had in the ethnographic investigation: the images have a key role in the interpretation of data and in revealing details that would have remained unnoticed during the field survey. The article proposes, beyond the single case, a reflection on retrospective ethnography through images.

Ethnographie rétrospective au comptoir. De l'intérêt des collages pour revenir sur son terrain / D. Pettinato. - 19:(2025), pp. 1-22. [10.4000/14ypc]

Ethnographie rétrospective au comptoir. De l'intérêt des collages pour revenir sur son terrain.

D. Pettinato
2025

Abstract

This research focuses on the practices in a bar, in the city of Macerata (Italy), where I worked as a barmaid. The Piranha is located on the ground floor of a building, whose inhabitants are also the usual customers of the café. Here, the public practices of the bar (conversations between customers and patrons, drinks, meetings, coffee breaks) and the private practices of the building (mail delivery, supervision of children, elders’ card games) merge, the café being at the center of the social life of the neighborhood. The objects (furniture, decor, photos) attest this multiplicity of activities and the shared use of space. To understand what happens in this café, in a situation of physical distance from the field, due in particular to the health crisis, this article shows the place that collages had in the ethnographic investigation: the images have a key role in the interpretation of data and in revealing details that would have remained unnoticed during the field survey. The article proposes, beyond the single case, a reflection on retrospective ethnography through images.
Cette recherche porte sur les pratiques dans un bar de la ville de Macerata (Italie), où j’ai travaillé comme barmaid. Le bar se trouve au rez-de-chaussée d’un immeuble dont les habitants sont aussi les clients habituels de ce lieu. Les pratiques publiques du café (conversations entre clients et patrons, consommations, rendez-vous, pauses-café) et celles privées des voisins (livraison du courrier, surveillance des enfants, jeux de cartes des anciens) se confondent, le café étant au centre de la vie sociale du quartier. Les objets (meubles, décors, photos) témoignent de cette multiplicité d’activités et de l’usage partagé de l’espace. Pour comprendre ce qui se joue dans ce bar, dans une situation de distance physique au terrain, due notamment à la crise sanitaire, cet article montre la place qu’ont eue les collages dans l’enquête ethnographique : les images ont un rôle-clé dans l’interprétation des données et dans le dévoilement des détails qui seraient restés inaperçus lors de l’enquête de terrain. L’article propose, au-delà du cas traité, une réflexion sur l’ethnographie rétrospective par l’image.
culture matérielle; techniques; travail; collages; anthropologie visuelle; material culture; work; visual anthropology; art-based methods
Settore SDEA-01/A - Discipline demoetnoantropologiche
2025
https://journals.openedition.org/itti/6627
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2434/1206555
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