This paper proposes, starting from a detailed analysis of the mythological contents exposed in the tenth chapter of the so-called Fragmentum Censorini (= Nikokrates, FGrHist and BNJ2 376 F 4), a new contextualisation of the excerpt within Pseudo Censorinus’ musical and metrical doctrine.
De nomine rhythmi. Aspetti di un escerto mitografico fra etimologia, musica e metrica = De nomine rhythmi. Aspects of a mythographical excerpt among etymology, music, and metrics / A. Pizzotti. - In: ACME. - ISSN 0001-494X. - 77:2(2025 Feb 27), pp. 29-34. [10.54103/2282-0035/28220]
De nomine rhythmi. Aspetti di un escerto mitografico fra etimologia, musica e metrica = De nomine rhythmi. Aspects of a mythographical excerpt among etymology, music, and metrics
A. Pizzotti
2025
Abstract
This paper proposes, starting from a detailed analysis of the mythological contents exposed in the tenth chapter of the so-called Fragmentum Censorini (= Nikokrates, FGrHist and BNJ2 376 F 4), a new contextualisation of the excerpt within Pseudo Censorinus’ musical and metrical doctrine.
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