La representación de la realidad concentracionaria de “Yo no invento nada” (1944) de Max Aub

At the crossroads between the historical vicissitudes of the Second World War and the itineraries of the Spanish Republican exile of 1939, one of the intellectuals who was best able to highlight the contradictions between the democratic values of anti-fascist matrix and the praxis of the Western liberal powers was Max Aub. This article sets out to analyse Aub's representation of the French and North African concentration camps as a space where these antinomies reach their maximum level of problematicity, particularly in the short story “Yo no invento nada” included in the collection No son cuentos (1944).