Taking Giuseppe Culicchia’s Il tempo di vivere con te as a starting point, this article aims to illustrate a trend in literary non-fiction: the representation of murders committed by individuals typically labeled as ‘monsters’ in the media. The analysis considers how media framing shapes public perception of these events, and it explores the implications of employing the term ‘monster’ within this context. Culicchia’s work explicitly challenges this narrative, and I analyse how he constructs Walter Alasia’s story. This investigation highlights two distinct forms of truth within the text: factual truth and interpretive truth. Finally, the article broadens the discussion to include other works and to address theoretical implications for non-fiction, comprehension, and hermeneutics.

Taking Giuseppe Culicchia’s Il tempo di vivere con te as a starting point, this article aims to illustrate a trend in literary non-fiction: the representation of murders committed by individuals typically labeled as ‘monsters’ in the media. The analysis considers how media framing shapes public perception of these events, and it explores the implications of employing the term ‘monster’ within this context. Culicchia’s work explicitly challenges this narrative, and I analyse how he constructs Walter Alasia’s story. This investigation highlights two distinct forms of truth within the text: factual truth and interpretive truth. Finally, the article broadens the discussion to include other works and to address theoretical implications for non-fiction, comprehension, and hermeneutics.

Narrare di mostri : Media, non fiction ed ermeneutica / M. Tognini. - In: STATUS QUAESTIONIS. - ISSN 2239-1983. - 27:(2024), pp. 375-400. [10.13133/2239-1983/18988]

Narrare di mostri : Media, non fiction ed ermeneutica

M. Tognini
2024

Abstract

Taking Giuseppe Culicchia’s Il tempo di vivere con te as a starting point, this article aims to illustrate a trend in literary non-fiction: the representation of murders committed by individuals typically labeled as ‘monsters’ in the media. The analysis considers how media framing shapes public perception of these events, and it explores the implications of employing the term ‘monster’ within this context. Culicchia’s work explicitly challenges this narrative, and I analyse how he constructs Walter Alasia’s story. This investigation highlights two distinct forms of truth within the text: factual truth and interpretive truth. Finally, the article broadens the discussion to include other works and to address theoretical implications for non-fiction, comprehension, and hermeneutics.
Taking Giuseppe Culicchia’s Il tempo di vivere con te as a starting point, this article aims to illustrate a trend in literary non-fiction: the representation of murders committed by individuals typically labeled as ‘monsters’ in the media. The analysis considers how media framing shapes public perception of these events, and it explores the implications of employing the term ‘monster’ within this context. Culicchia’s work explicitly challenges this narrative, and I analyse how he constructs Walter Alasia’s story. This investigation highlights two distinct forms of truth within the text: factual truth and interpretive truth. Finally, the article broadens the discussion to include other works and to address theoretical implications for non-fiction, comprehension, and hermeneutics.
Non fiction; Ermeneutica; Culicchia; Mostri; Etica; Media
Settore COMP-01/A - Critica letteraria e letterature comparate
2024
https://rosa.uniroma1.it/rosa03/status_quaestionis/article/view/18988/17898
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