In this essay I study the double autorepresentation that the autor describes in El pájaro: pincel y tinta china. Through this, Portela proposes the description of a resistance in a hostile world. The sick body of the protagonist is presented as a microworld that reflects a wider universe where she is living, such as the Cuba of nowadays
El pájaro: pincel y tinta china de Ena Lucía Portela: escritura y cuerpo en escena / C. Bolognese. - In: MITOLOGÍAS HOY. - ISSN 2014-1130. - 10:(2014), pp. 49-62. [10.5565/rev/mitologias.187]
El pájaro: pincel y tinta china de Ena Lucía Portela: escritura y cuerpo en escena
C. Bolognese
2014
Abstract
In this essay I study the double autorepresentation that the autor describes in El pájaro: pincel y tinta china. Through this, Portela proposes the description of a resistance in a hostile world. The sick body of the protagonist is presented as a microworld that reflects a wider universe where she is living, such as the Cuba of nowadays
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