In the rst part of this essay, I will propose a re exión on Cuban contemporary short stories, beginning with the cultural production following the Fall of the Berlin wall till nowadays. In the second part of it, I will analyze two short stories written by Ena Lucía Portela and Jorge Enrique Lage, who are two very important voices of contemporary Cuban narra- tive. I will investigate the di erences and the analogies between their writing proyect.
En este artículo propongo, en primer lugar, una re exión sobre la cuentística cubana contemporánea, trazando un pano- rama que empieza en los años Noventa –una época durísima en Cuba, por la caída del muro de Berlín y la disolución de la Unión Soviética– y llega hasta nuestros días. En segundo lugar, me concentro en el análisis de dos cuentos de dos voces imprescindibles de la narrativa actual, es decir Ena Lucía Portela y Jorge Enrique Lage, para mostrar las diferencias y las analogías que presentan sus propuestas literarias.
El cuento cubano del siglo XXI en las voces de Ena Lucía Portela y Jorge Enrique Lage = Cuban short story in the 21st Century: the voices of Ena Lucía Portela and Jorge Enrique Lage / C. Bolognese. - In: AMERICA SIN NOMBRE. - ISSN 1577-3442. - 22:(2017), pp. 73-81. [10.14198/AMESN.2017.22.06]
El cuento cubano del siglo XXI en las voces de Ena Lucía Portela y Jorge Enrique Lage = Cuban short story in the 21st Century: the voices of Ena Lucía Portela and Jorge Enrique Lage
C. Bolognese
2017
Abstract
In the rst part of this essay, I will propose a re exión on Cuban contemporary short stories, beginning with the cultural production following the Fall of the Berlin wall till nowadays. In the second part of it, I will analyze two short stories written by Ena Lucía Portela and Jorge Enrique Lage, who are two very important voices of contemporary Cuban narra- tive. I will investigate the di erences and the analogies between their writing proyect.| File | Dimensione | Formato | |
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