The question of the difference between Warburg’s and Panofsky and Saxl’s interpretation of melancholy is addressed here through an objection that Benjamin raises in The Origin of German tragic Drama to Panofsky and Saxl. An objection that hasn’t been considered yet, and that concerns their relation to what constitutes, according to Ben- jamin, their «extraordinary model»: to Karl Giehlow.
Collectione et quasi compressione : Benjamin e Warburg in dialologo con Panofsky e Saxl / A. Barale. - In: SCHIFANOIA. - ISSN 0394-5421. - 48-49:(2016), pp. 87-94.
Collectione et quasi compressione : Benjamin e Warburg in dialologo con Panofsky e Saxl
A. Barale
2016
Abstract
The question of the difference between Warburg’s and Panofsky and Saxl’s interpretation of melancholy is addressed here through an objection that Benjamin raises in The Origin of German tragic Drama to Panofsky and Saxl. An objection that hasn’t been considered yet, and that concerns their relation to what constitutes, according to Ben- jamin, their «extraordinary model»: to Karl Giehlow.
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