The concept of the ambiente (environment) as an original and independent form of artistic expression – different from and unrelated to the volumes of sculpture and the spatiality of architecture – and as a summation of the drive to overcome the limits of materials and typologies of the traditional arts that inspired the avant-gardes of the twentieth century. It was, perhaps, the greatest achievement – anticipatory and, seen a posteriori, decisive – of all of Lucio Fontana’s work.
Une nouvelle conception de l’art environnemental. Vingt ans d’Environnements spatiaux et autres installations (1949-1968) = A New Concept of Environment Art Twenty Years of Ambienti spaziali and other Installations (1949–1968) / G. Zanchetti - In: Lucio Fontana : Un futuro c’è stato = Il y a bien eu un futur / [a cura di] P. Campiglio, B. Decron. - Prima edizione. - Paris : Gallimard : Musée Soulages, 2024. - ISBN 978-2-07-306769-2. - pp. 47-51
Une nouvelle conception de l’art environnemental. Vingt ans d’Environnements spatiaux et autres installations (1949-1968) = A New Concept of Environment Art Twenty Years of Ambienti spaziali and other Installations (1949–1968)
G. Zanchetti
2024
Abstract
The concept of the ambiente (environment) as an original and independent form of artistic expression – different from and unrelated to the volumes of sculpture and the spatiality of architecture – and as a summation of the drive to overcome the limits of materials and typologies of the traditional arts that inspired the avant-gardes of the twentieth century. It was, perhaps, the greatest achievement – anticipatory and, seen a posteriori, decisive – of all of Lucio Fontana’s work.File | Dimensione | Formato | |
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