In the framework of studies on the contemporary processes of redefinition of indigenous narratives in Latin America, this paper investigates a series of artistic performances, literary and oralitegraphic proposals carried out by members of the displaced Embera people in Bogotá, with a particular focus on the context of the experience of community stay in the Olaya Herrera National Park (2021-2022). After going through some nodes of contact between urban imaginaries and contemporary indigenous epistemologies, the essay explores some Embera cultural productions, in a perspective of interpretation of indigenous creators as "embodied territories" (Rojas-Sotelo). Within the framework of the political and cultural struggle of the Embera, the essay aims to identify the trajectories of epistemic reconfiguration of their own knowledge as a result of forced displacement and the consequent symbolic re-elaborations of the imaginaries of the urban space of Bogota.

Banish the literate city, displace the root. Poetics and songs of the Embera people in Bogotá = Destejer la ciudad letrada, desplazar la raíz. Poéticas y cantares del pueblo embera en Bogotá / S. Ferrari. - In: ALTRE MODERNITÀ. - ISSN 2035-7680. - 2024:31(2024 Jun 01), pp. 234-262. [10.54103/2035-7680/23095]

Banish the literate city, displace the root. Poetics and songs of the Embera people in Bogotá = Destejer la ciudad letrada, desplazar la raíz. Poéticas y cantares del pueblo embera en Bogotá

S. Ferrari
2024

Abstract

In the framework of studies on the contemporary processes of redefinition of indigenous narratives in Latin America, this paper investigates a series of artistic performances, literary and oralitegraphic proposals carried out by members of the displaced Embera people in Bogotá, with a particular focus on the context of the experience of community stay in the Olaya Herrera National Park (2021-2022). After going through some nodes of contact between urban imaginaries and contemporary indigenous epistemologies, the essay explores some Embera cultural productions, in a perspective of interpretation of indigenous creators as "embodied territories" (Rojas-Sotelo). Within the framework of the political and cultural struggle of the Embera, the essay aims to identify the trajectories of epistemic reconfiguration of their own knowledge as a result of forced displacement and the consequent symbolic re-elaborations of the imaginaries of the urban space of Bogota.
En el marco de los estudios acerca de los procesos de redefinición de las narraciones indígenas en la contemporaneidad latinoamericana, el presente trabajo investiga una serie de performances artísticas, propuestas literarias y oralitegrafías realizadas por miembros del pueblo embera desplazados en Bogotá, con un particular enfoque en la experiencia de estancia comunitaria en el Parque Nacional Olaya Herrera (2021-2022). Después de recorrer unos nudos de contacto entre los imaginarios urbanos y las epistemologías indígenas contemporáneas, el ensayo profundiza algunas producciones culturales embera, en una perspectiva de interpretación de los creadores indígenas en tanto “territorios encarnados” (Rojas-Sotelo). En el marco de reivindicaciones político-culturales de los embera en Bogotá, el ensayo apunta a identificar las trayectorias de reconfiguración epistémica de los saberes propios a raíz del desplazamiento forzado y las consecuentes reelaboraciones simbólicas de los imaginarios del espacio urbano bogotano
indígenas urbanos; cultura embera; oralitegrafías colombianas; desplazamiento forzado; embera en Bogotá (Colombia); Colombian oralitegraphies; Embera culture and literature; Embera in Bogotá (Colombia); forced displacement; urban indigenous people;
Settore L-LIN/06 - Lingua e Letterature Ispano-Americane
1-giu-2024
mag-2024
https://riviste.unimi.it/index.php/AMonline/article/view/23095.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2434/1056508
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