This article contributes to the limited research on solo self-employed (SSE) workers, who strive to collectively address social and labour rights issues while preserving their autonomy. It examines a unique case within the French context, the Syndicat National des Artistes Plasticien·nes (SNAP), a trade union created in 1977 within the Confédération Générale du Travail (CGT) to represent self-employed visual artists. Through extensive ethnographic research conducted both online and offline, the study explores how SSE artists organise collectively to improve their access to social rights while protecting their autonomy, which is particularly crucial for creative workers. The findings show how SSE workers can unite to advocate for social protection while redefining the promise of professional autonomy embedded in the so-called ‘enterprise culture’. Additionally, it sheds light on an early example of SSE workers organising, which may provide useful insights for other groups of SSE workers, who are rapidly growing across Europe.

From exception to pioneering: Insights on combining professional autonomy and social rights from the Syndicat National des Artistes Plasticien·nes / M. Mondon-Navazo, A. Murgia. - In: CUADERNOS DE RELACIONES LABORALES. - ISSN 1131-8635. - 42:1(2024 Apr 02), pp. 73-87. [10.5209/crla.89268]

From exception to pioneering: Insights on combining professional autonomy and social rights from the Syndicat National des Artistes Plasticien·nes

A. Murgia
Ultimo
2024

Abstract

This article contributes to the limited research on solo self-employed (SSE) workers, who strive to collectively address social and labour rights issues while preserving their autonomy. It examines a unique case within the French context, the Syndicat National des Artistes Plasticien·nes (SNAP), a trade union created in 1977 within the Confédération Générale du Travail (CGT) to represent self-employed visual artists. Through extensive ethnographic research conducted both online and offline, the study explores how SSE artists organise collectively to improve their access to social rights while protecting their autonomy, which is particularly crucial for creative workers. The findings show how SSE workers can unite to advocate for social protection while redefining the promise of professional autonomy embedded in the so-called ‘enterprise culture’. Additionally, it sheds light on an early example of SSE workers organising, which may provide useful insights for other groups of SSE workers, who are rapidly growing across Europe.
Este artículo resalta la escasa investigación sobre lxs trabajadorxs autónomxs sin empleadxs, que luchan por tratar colectivamente las cuestiones de los derechos sociales y laborales sin renunciar a su autonomía. Explora un caso único en el contexto francés, el Syndicat National des Artistes Plasticien·nes (SNAP), un sindicato creado en 1977 dentro de la Confédération Générale du Travail (CGT) para representar a lxs artistas visuales autónomxs. Basándose en una amplia investigación etnográfica realizada tanto online como offline, el estudio examina cómo lxs artistas visuales autónomxs se organizan colectivamente para mejorar su acceso a los derechos sociales protegiendo al mismo tiempo su autonomía, que es especialmente crucial para trabajadorxs creativxs. Los resultados muestran cómo lxs trabajadorxs autónomxs sin empleadxs pueden unirse para defender la protección social mientras redefinen la promesa de autonomía profesional arraigada en la enterprise culture. Además, arroja luz sobre un ejemplo pionero de organización de trabajadorxs, que puede servir de inspiración para otros grupos de trabajadorxs autónomxs sin empleadxs, que están creciendo rápidamente en toda Europa.
Autonomía; Trabajo creativo; Etnografía; Francia; Organización; Derechos sociales; Trabajadores/as autónomos/as; Sindicato; Autonomy; Creative work; Ethnography; France; Organising; Social rights; Solo self-employed; Union;
Settore SPS/07 - Sociologia Generale
   Seizing the Hybrid Areas of work by Re-presenting self-Employment (SHARE)
   SHARE
   EUROPEAN COMMISSION
   H2020
2-apr-2024
https://revistas.ucm.es/index.php/CRLA/article/view/89268
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2434/1043231
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