the end of the 19th century and the beginning of the 20th, sprang the singular voice of Uruguayan poet María Eugenia Vaz Ferreira (1875-1924). Nevertheless, it has been virtually overlooked. The purpose of this paper is to verify, through some poems of Vaz Ferreira, the asymmetry between genders considering the symbolic, the “idealized”, the so called “hierarchical dualism”. We will examine the difficulty that women had in establishing a non-hierarchical relational dialogue –affectionate and intellectual– with their male counterparts, especially at the beginning of the 20th century. The poetic ambition of this Uruguayan poet did not emerge in order to emphasize qualities associated with the “feminine virtues” (modesty, delicacy, purity), but to unravel the acute tension between her artistic identity and the social destiny imposed by tradition. Therefore, in her poetry, re-created female archetypes engage in a dialogue with conventional codes of masculinity.

No soy la que procuras'. Relectura de arquetipos en la poesía de María Eugenia Vaz Ferreira / T. PLEITEZ VELA. - In: MERIDIONAL. - ISSN 0719-4862. - 7:(2016), pp. 131-154.

No soy la que procuras'. Relectura de arquetipos en la poesía de María Eugenia Vaz Ferreira

T. PLEITEZ VELA
2016

Abstract

the end of the 19th century and the beginning of the 20th, sprang the singular voice of Uruguayan poet María Eugenia Vaz Ferreira (1875-1924). Nevertheless, it has been virtually overlooked. The purpose of this paper is to verify, through some poems of Vaz Ferreira, the asymmetry between genders considering the symbolic, the “idealized”, the so called “hierarchical dualism”. We will examine the difficulty that women had in establishing a non-hierarchical relational dialogue –affectionate and intellectual– with their male counterparts, especially at the beginning of the 20th century. The poetic ambition of this Uruguayan poet did not emerge in order to emphasize qualities associated with the “feminine virtues” (modesty, delicacy, purity), but to unravel the acute tension between her artistic identity and the social destiny imposed by tradition. Therefore, in her poetry, re-created female archetypes engage in a dialogue with conventional codes of masculinity.
A finales del siglo XIX y principios del XX, brotó la voz singular de la poeta uruguaya María Eugenia Vaz Ferreira (1875-1924), la cual ha sido prácticamente pasada por alto. El propósito de este trabajo es verificar, por medio de algunos poemas de Vaz Ferreira, la asimetría entre los géneros a partir de lo simbólico, lo “idealizado”, el llamado “dualismo jerarquizado”. Examinaremos la dificultad que han tenido las mujeres, sobre todo a principios del siglo XX, para establecer un diálogo relacional –amoroso e intelectual– sin jerarquías con su contraparte masculina. El afán poético de la uruguaya no surgió para enfatizar cualidades asociadas a las “virtudes femeninas” (modestia, delicadeza, pureza), sino para desentrañar la aguda tensión entre su identidad artística y el destino social impuesto por la tradición. Por lo tanto, en su poesía, arquetipos femeninos recreados dialogan con códigos convencionales de la masculinidad.
María Eugenia Vaz Ferreira; Uruguayan poetry; hierarchical dualism; female archetypes; masculinity
Settore L-LIN/06 - Lingua e Letterature Ispano-Americane
2016
https://meridional.uchile.cl/index.php/MRD/article/view/43542/45552
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2434/1040480
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