Entre desgarro y cicatrices: huellas transtextuales en 'Y ahora ya eres dueño del Puente de Brooklyn' de Luis García Montero = Between tear ano scars: transtextual tracks in Luis Garcia Montero’s y ahora ya eres dueno del puente de Brooklyn

The first collection published by Luis Garcia Montero, Y ahora ya eres dueiio del Puente de Brooklyn (1980), by statement of the poet himself drifts away from all his later production - characterized by a strong realism - because of the massive presence of avant-garde and surrealism influence. Exploring the transcendence of the text thanks to Genette's theories on transtextuality, we will analyze in the book the intertextual presence of masters such as Al berti and Lorca, allowing a reading of the collection from the avant-garde perspective by connecting it to a concept of negative modernity. However, enlarging the spectrum to paratextuality and architextuality, which extends respectively the analysis of the book to the field of hard-boiled genre and to prose poetry, we can appreciate the germ of a much less negative project of confidence in the rehistorification.