Cultural consumptions can foster economic development and human wellbeing thank to several positive externalities linked to growth of human capital and capabilities of complex interactions. Demand for cultural goods exhibit several special features, like rational addiction related to past consumption and the link with human capital and the mixed role of final good and investment good. Using microdata from an Istat survey with 50.000 cases I estimate an econometric model for the demand of main cultural goods that show several complementarities among them. As expected schooling exhibit correlation while time consuming activities like television viewing and internet surfing has showed mixed results. The overlapping among different cultural consumptions appears to be fairly low. If we take concert, theatre and museum in the last 12 months only 4,8 % partecipated at least once in all three activities, a not so high threshold of cultural consumption, compared with 45% of the population over 15 that consume at least one of them. Contrary to many beliefs the heavy consumer do not play a pivotal role in many cultural goods. People attending more than 7 times per year in each of concert, theatre or museum represent a share of total tickets ranging from 28% to 33%. That result could be important to address public policies to increase cultural consumption more toward casual consumer.

Per un'analisi economica della domanda di beni culturali / M. Gambaro - In: Impresa cultura : gestione, innovazione, sostenibilità : 13° rapporto annuale Federculture 2017Prima edizione. - Roma : Gangemi, 2017. - ISBN 9788849235319.

Per un'analisi economica della domanda di beni culturali

M. Gambaro
2017

Abstract

Cultural consumptions can foster economic development and human wellbeing thank to several positive externalities linked to growth of human capital and capabilities of complex interactions. Demand for cultural goods exhibit several special features, like rational addiction related to past consumption and the link with human capital and the mixed role of final good and investment good. Using microdata from an Istat survey with 50.000 cases I estimate an econometric model for the demand of main cultural goods that show several complementarities among them. As expected schooling exhibit correlation while time consuming activities like television viewing and internet surfing has showed mixed results. The overlapping among different cultural consumptions appears to be fairly low. If we take concert, theatre and museum in the last 12 months only 4,8 % partecipated at least once in all three activities, a not so high threshold of cultural consumption, compared with 45% of the population over 15 that consume at least one of them. Contrary to many beliefs the heavy consumer do not play a pivotal role in many cultural goods. People attending more than 7 times per year in each of concert, theatre or museum represent a share of total tickets ranging from 28% to 33%. That result could be important to address public policies to increase cultural consumption more toward casual consumer.
cultural goods, art and culture, cinema, theatre, museum, cultural consumptions, concert, opera, rational addiction
Settore SECS-P/06 - Economia Applicata
2017
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2434/547621
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