The scope and intensity of Giovanni Piana's philosophical reflections on the arts, and especially on the vicissitudes of twentieth-century art in the the whole of his theoretical production is not limited to the project of delineating a philosophy of music that has effectively become, since the 1990s, the centre of his theoretical interests. The art of the 20th century and its avant-gardes represented for Piana an argument full of suggestion and interest. The aim of the paper is to indicate the reason why in the course of his studies, Piana feels a growing need to discuss contemporary art. Reflecting on twentieth-century art not only means shedding light on the expressive values of the elemental forms of experience, but for Piana, it also meant questioning the nexus that joins the material structure of sound and, in general, of the materials of the experience with the forms in which they are coded linguistically.

¿Cuál siglo xx? Las reflexiones fenomenológicas de Giovanni Piana sobre el arte del siglo xx / P. Spinicci. - In: EIKASIA. - ISSN 1885-5679. - (2020 Nov), pp. 9.213-9.231.

¿Cuál siglo xx? Las reflexiones fenomenológicas de Giovanni Piana sobre el arte del siglo xx

P. Spinicci
2020

Abstract

The scope and intensity of Giovanni Piana's philosophical reflections on the arts, and especially on the vicissitudes of twentieth-century art in the the whole of his theoretical production is not limited to the project of delineating a philosophy of music that has effectively become, since the 1990s, the centre of his theoretical interests. The art of the 20th century and its avant-gardes represented for Piana an argument full of suggestion and interest. The aim of the paper is to indicate the reason why in the course of his studies, Piana feels a growing need to discuss contemporary art. Reflecting on twentieth-century art not only means shedding light on the expressive values of the elemental forms of experience, but for Piana, it also meant questioning the nexus that joins the material structure of sound and, in general, of the materials of the experience with the forms in which they are coded linguistically.
Piana, art, Phenomenology, perception
Settore M-FIL/01 - Filosofia Teoretica
Settore M-FIL/04 - Estetica
   Dipartimenti di Eccellenza 2018-2022 - Dipartimento di FILOSOFIA
   MINISTERO DELL'ISTRUZIONE E DEL MERITO
nov-2020
https://www.revistadefilosofia.org/96-072.pdf
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2434/785460
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